THE ALCHEMY OF STONE – Ekaterina Sedia

Mattie, an intelligent automaton skilled in the use of alchemy, finds herself caught in the middle of a conflict between gargoyles, the Mechanics, and the Alchemists. With the old order quickly giving way to the new, Mattie discovers powerful and dangerous secrets – secrets that can completely alter the balance of power in the city of Ayona. This doesn’t sit well with Loharri, the Mechanic who created Mattie and still has the key to her heart – literally.

I was surprised that this was captivating from the first pages on, seeing that Sedia’s other steampunk novel–Heart of Iron–was a bit hit-and-miss with me. This is a stronger book than that by far, if not quite a match for The House of Discarded Dreams

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THE FOLDED WORLD – Catherynne Valente

When the mysterious daughter of Prester John appears on the doorstep of her father’s palace, she brings with her news of war in the West–the Crusades have begun, and the bodies of the faithful are washing up on the shores of Pentexore. Three narratives intertwine to tell the tale of the beginning of the end of the world: a younger, angrier Hagia, the blemmye-wife of John and Queen of Pentexore, who takes up arms with the rest of her nation to fight a war they barely understand, Vyala, a lion-philosopher entrusted with the care of the deformed and prophetic royal princess, and another John, John Mandeville, who in his many travels discovers the land of Pentexore–on the other side of the diamond wall meant to keep demons and monsters at bay.

These three voices weave a story of death, faith, beauty, and power, dancing in the margins of true history, illuminating a place that never was.

Well, damn.

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JORMUNGAND – kickflip fanservice

Short version: because it features this shot in a fanservice beach episode.

Yes, Valmet/Sofia Valmer is really that muscular. All the time. Notice that she has the thigh muscles to match the rest of her. I’m not sure it’d be possible for her to have boobs of that size but okay whatever, she kickflips men who try to grope her boobs into the sky while declaring her boobs are only for her and her lesbian crush, it’s all good. I recommended the series to Christine Love. She likes it too!

(The fanservice episode also features a fuckton of steroidtastic dudechests. Including the sculpted abs of a twelve-year-old boy. Uh, ew.)

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THE PERILOUS LIFE OF JADE YEO – Zen Cho

For writer Jade Yeo, the Roaring Twenties are coming in with more of a purr. She’s perfectly happy making a living by churning out articles on what the well-dressed woman is wearing. But when she pillories one of London’s leading literary luminaries in a scathing review, she may have made the mistake of her career.

Sebastian Hardie is tall, dark and handsome–and more intrigued than annoyed. Jade is irresistibly drawn to the prospect of adventure he offers. But if she succumbs to temptation, she risks losing her hard-won freedom–and her best chance for love.

There are a lot of things in this novella I don’t like–but the things I don’t like are purely cosmetic, and to prioritize my petty reasons for not liking it would be a textbook act of inferior reading.

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THE HOUSE OF DISCARDED DREAMS – Ekaterina Sedia

Trying to escape her embarrassing immigrant mother, Vimbai moves into a dilapidated house in the dunes… and discovers that one of her new roommates has a pocket universe instead of hair, there’s a psychic energy baby living in the telephone wires, and her dead Zimbabwean grandmother is doing dishes in the kitchen. When the house gets lost at sea and creatures of African urban legends all but take it over, Vimbai turns to horseshoe crabs in the ocean to ask for their help in getting home to New Jersey.

This isn’t a book, I suspect, that too many typical genre fans would like since it shades into magic realism. It’s orders of magnitude better than any other novel I’ve read by Sedia, and much superior to Heart of Iron. But it’s also a book where the author writes of a non-dominant culture and experience not her own, so standard precautions apply. See Tricia Sullivan’s post about writing Double Vision and her many, many, many fails with regards to writing black women and Japanese people.

Having said that, we can’t ignore the context of Sedia being from a non-dominant culture and Sullivan being very much so: there’s a vast gulf of experiences between a Russian immigrant to the US and a white American born and bred in the UK who never needs to apply for a visa to travel much of anywhere, and whose passport will never make her a subject of scrutiny.

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short stories – Haskell, MacFarlane, Tidhar, Marks

People keep asking me to recommend short fiction, which can be tough since the vast majority of it is actively terrible or shockingly banal. Good ones are so rare that I only follow other people’s recommendations (and even then find most of them severely lackluster). Do people actually read these things regularly, and if so, why? Going through so much sludge looks like punishment to me.

“Huntswoman” by Merrie Haskell is a Snow White reimagining that does not suck, unlike say Neil Gaiman’s silly vampire tripe. Spare yet excellent writing, and a very unusual take on things that subverts the motif of jealousy between women so often regurgitated in such retellings into quite something else.

He turned to the huntswoman with glittering, glassy eyes. “Did you find her?” he asked the huntswoman. “Did you find my girl?”

“No, sire,” the huntswoman said, and bowed her head. Her daily defeat preyed on her.

The king’s eyes shifted, and he looked both lost and angry. He slammed down the teacup without saying anything. It shattered. He left.

The queen picked up the fragments of china; in her hands they became whole again. The china, coming back together, looked like the small fluttering of a bird before it became a cup once more. The queen looked up from her work, cradling the cup in her hand.

“No matter what anyone else tells you,” the queen said, capturing the huntswoman’s eyes with her own, “remember that you will be best rewarded by me. Just bring me the princess’s heart, and her hands.”

“Fox Bones, Many Uses” by Alex Dally MacFarlane concerns the struggle of a tribe (with what looks like a Central Asian inspiration) against an expansionist empire using fox magic. It reminds me a bit of a similar segment in Laurie Marks’ Fire Logic, though with much different and less tragic results. The subject matter is absolutely feminist and not tackled often, though I felt I couldn’t quite get into Za as a character, but that’s personal mileage. The prose is lovely.

“Many years later, the spirit grew weary of our company and sent us away, and we moved south into the hills where we settled comfortably and developed our own ways of life.  Even we Hma are different.  Some of us, whose clothes are bright as every flower combined, live in the same hills as many other people, and are probably the most numerous.  Some of us, whose clothes are almost fully black and whose cheeks are tattooed with lines as thin as hairs, live in small numbers in hills far to the west.  We, the only hill-people to live where snow sometimes falls, are scattered across many hills, always in the north, always hidden.”

She pressed more powder to the baby’s tongue.

I will make you fully Hma, she thought.  I will fill you with our stories—then you’ll have to be Hma, and this will work, and you’ll live, and everyone will stop hating you. 

Lavie Tidhar’s “304 Adolph Hitler Strasse” is errrr the text speaks for itself. I’ve often found his writing provocative, though of course I’m not Jewish and can’t comment on the specifics in that regard. He’s a bit too dude-centric for my tastes, but this one deserves some attention.

“You disgust me! You sick, perverted old man! You’re nothing but a dirty Jew!”

Through the open door Hanzi saw Hauptabschnittsleiter Himmler crouching naked on the bed, his thin, wrinkled buttocks raised in the air. Above him stood a middle-aged woman dressed in the old uniforms of an S.S. officer, holding a riding crop in her hand. As she spoke she hit the old man hard against his rear, making him scream.

“What are you? I said, what are you, animal?”

“I’m a Jew!” the old man cried. “I’m a dirty Jew!”

I keep reading Laurie J Marks’ “How the Ocean Loved Margie” over and over. It’s the story of a woman who’s gotten artificially inseminated and finds herself called to the sea, where she meets a mysterious, compelling swimmer. I don’t understand why there isn’t more short fiction from her and why all her novels are out of print. A great injustice.

Margie had a lot of practice keeping secrets from people. She had taught high school English in Somerville, Massachusetts for nearly fifteen years without anyone, not even her cappuccino buddies, suspecting that she was a lesbian. When she arranged for a year’s sabbatical no one, not even her mother, knew that she was pregnant by donor insemination. And when she disappeared abruptly shortly after the last day of school, no one except she herself suspected that she had gone mad.

Going mad was a very English-teacher-spinster-Victorian-melodramatic thing to do. If she were going to do it, she should have worn a flowing white nightdress with a tucked bodice and ruffled hem. She should have done her hair up like a Gibson girl, with tendrils wisping fetchingly down upon her neck. Then, if she had run down the rocky beach and flung herself into the cold Atlantic someone might have noticed and pulled her out again. But Margie went mad in a pair of blue jeans nearly white with age and an oversized t-shirt that declared Parkfield, California, to be The Earthquake Capitol of the World. It was very undramatic.

Sarah and Jennifer Diemer’s SAPPHO’S FABLES VOL. 1

The Sappho’s Fables series takes well-known, beloved fairy tales and retells them from a lesbian perspective. Volume One contains the first three novellas in the series: SEVEN (Snow White), BRAIDED (Rapunzel) and CRUMBS (Hansel and Gretel), compiled together in an enchanting omnibus edition. 

I’ve previously reviewed and quite liked, despite its flaws, Sarah Diemer’s The Dark Wife, a lesbian retelling of the Persephone myth, so I was quite interested in trying out more of her (and her wife’s) writing. The novellas are available separately, but an omnibus is obviously more convenient and–well–cheaper, though I do think the individual novellas have much better covers.

Yes, it’s self-published. We can all deal. Sarah Diemer seems fairly successful at it, too.

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Last Exile: Fam the Silver Wing – final thoughts

PREVIOUSLY I DID A POST ON LAST EXILE: FAM THE SILVER WING. NOW THAT I HAVE FINISHED WATCHING THE SERIES I AM DOING ANOTHER POST. GOOD DAY.

Here are two series, set in the same universe. One has only one (1) powerful woman; she’s a megalomaniac villain. The other has veritable metric tons of powerful women. Guess which one was directed by a lady?

Last Exile: Fam the Silver Wing is a simplistic adventure story that takes an epic turn as most such things do, centers around a naive, idealistic heroine trying to make the world a nicer, more idealistic place against a backdrop of steampunk. There’s way too fucking much moe fanservice, the Hitlerian Big Bad is stupid and so is his plan for world peace, but I don’t know when I’ll get to watch an anime again that’s so completely about women. That’s right! This series never betrays its core: of girls and women who don’t especially care about men.

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short fiction recommendations – Asian lady writers!

I don’t usually read short fiction. In fact, when you come down to it I kind of hate short fiction, on account of the shortness. Hell, you’ve seen me write 5,000-words long reviews. Of course I don’t like things that are small and concise. DON’T JUDGE ME GODDAMN IT.

But anyway. Everyone’s probably heard of Aliette de Bodard, Zen Cho and Rochita Loenen-Ruiz already and they need no introductions, and at this point you’re probably thinking “what the fuck took you so long to read them?” Exactly.

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