THE FUTURE OF US is a “Like” sign slapping the face of humanity, forever

It’s 1996, and less than half of all American high school students have ever used the Internet.

Emma just got her first computer and an America Online CD-ROM.

Josh is her best friend. They power up and log on–and discover themselves on Facebook, fifteen years in the future.

Everybody wonders what their Destiny will be. Josh and Emma are about to find out.

I’ve read tie-ins. I’ve read the worst of what the SFF genre has to offer.

I have never read a single book more vacuous, more pointless and hackneyed than The Future of Us. This book is what happens when a pair of people who can’t write decide they can. This book is what people who have nothing of worth or merit in their skulls would produce under the misapprehension that they have something  faintly clever to say. Other books have been offensive; other books have been varying levels of terrible… but nothing beats the vapid, useless, pointless, talentless blackhole that is the combined force of Jay Asher and Carolyn Mackler. There isn’t a single solitary page in this novel that provides any value outside of being fuel, toilet paper, or wastebasket lining.

It’s a novel you can only write if you think there’s nothing outside of your white, straight, middle-class American world, your midlife crisis, and a nostalgia for your even more vapid white, straight, middle-class American teenage years. This novel is the essence of what makes Americans mockable. It’s the embodiment of utter mindlessness, a laser-point focus on shit that doesn’t matter, an ode to the glory of having no imagination stuffed with painful pop-culture references worthless to anybody with a real culture to appreciate. The fact that Amazon reports a sales rank of #3722 overall and #89 in “Teens > Science Fiction and Fantasy” at the time of this writing should tell you all you need to know about the great American reading public.

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Star Wars: where feminism goes to die

Today I was linked to a review of Fate of the Jedi: Ascension at Fangirlblog.

My interest, as you may have noticed, in Star Wars™ tie-in fiction is at best remote, at worst dripping with contempt because I’ve yet to come across a Star Wars™ novel that is written with a reading level above grade five. I’ve always understood, though, that it does better than WH40K in representation of women, if not of color (especially not color), as long as the woman in question is straight and white and fits the popular media definition of beauty. But hey, it’s a teensy bit better than women in Conan books… probably? Perhaps with relationships less awful than that seen in Twilight… surely?

Hahahaha. Wrong. So, so wrong.

The relevant part in the review is this:

This scene validates that domestic violence against a young woman is okay as long as the young man loves her.

[...]

Ben breaks into Vestara’s locked bedroom and demands that she show him her private files on her computer.  He’s not doing this just to be a jerk, of course; he was at first worried about Vestara, then as the scene progresses worried that she might still be betraying the Skywalkers.  He tries to seize the computer from her, then grabs her wrists.  Defending herself from his intrusive verbal and physical demands, Vestara Force-shoves him away.  In return, Ben uses the Force to slap her across the face – the ultimate iconic “put a woman in her place” action by a man.  Their confrontation degenerates further.  Ben prevails by using the Force to bind Vestara in her bedsheets – no crass symbolism of male sexual domination there – and then proceeds to read her private files despite her sobbing and begging him not to.  When he does, he realizes that he has in fact intruded into her deepest personal emotions, the equivalent of reading a teenaged girl’s diary.  He apologizes and consoles her by spooning with her on the bed.  The scene ends with Vestara proclaiming to Ben that she wants to become a Jedi, and their first kiss.
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DECEIVED: how Paul Kemp deceived someone into paying him to write

The second novel set in the Old Republic era and based on the massively multiplayer online game Star Wars®: The Old Republic™ ramps up the action and brings readers face-to-face for the first time with a Sith warrior to rival the most sinister of the Order’s Dark Lords—Darth Malgus, the mysterious, masked Sith of the wildly popular “Deceived” and “Hope” game trailers.

Malgus brought down the Jedi Temple on Coruscant in a brutal assault that shocked the galaxy. But if war crowned him the darkest of Sith heroes, peace would transform him into something far more heinous—something Malgus would never want to be, but cannot stop, any more than he can stop the rogue Jedi fast approaching.

Her name is Aryn Leneer—and the lone Knight that Malgus cut down in the fierce battle for the Jedi Temple was her Master. And now she’s going to find out what happened to him, even if it means breaking every rule in the book.

I like that even in product descriptions you still get the copyright sign by “Star Wars” and the trademark sign by “The Old Republic.” I’m tempted to say that this is, really, all you need to know about this book.

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Salvatore’s ROAD OF BWAHAHA I AM KILLED, WAHOO

RA Salvatore. He’s kind of like the Dan Abnett of Forgotten Realms, except without any of the self-awareness, with only the most remote interest in writing women well, and not even so much as a single solitary acknowledgment that gay people exist. He also keeps writing about the same set of characters over and over and over. This offense is compounded by the sad truth that this man honest to god can’t write. Basically, nothing like Dan Abnett except possibly sales figures. Well, that and whereas Salvatore–when not spitting out identikit D&D novels–writes by-the-dot generic fantasy that makes Eragon look vaguely original. In contrast, when not writing Warhammer 40k fiction, Abnett writes zany alt-history fantasy. Basically one of them can write and the other… you’ll see.

Full disclosure: I didn’t read this crap. I can no longer read anything by this author for more than a page at a time, though admittedly ten years ago I was able to finish his books–after three or four of which I arrived at the conclusion that they were shit, which is quite the epiphany for a teenager who still thought select Dragonlance novels were amazing literary achievements.

But sometimes to show someone just the kind of nadir D&D write-for-hire fiction can hit, I’d pull out a non-too-legally acquired epub of a Salvatore book and perform copypasta (if I’m feeling particularly vicious I’ll subject them to Ed Greenwood instead). I’ll note that I did not troll for particularly godawful snippets. No. I skimmed the text and picked bits out of random. In this case, my random scrolling netted me this:

The second pie Jarlaxle threw came in harder, and was not meant to be caught—except by the man’s surprised expression.

“What?” the woman yelled as the pie splattered across her lover’s face, and he gave a yell, as well, but one of pain.

“Jarlaxle, what are you about?” Piter demanded.

“I am killed!” the surprised man cried. He slapped at his face, sending cream flying and eventually revealing a small dart that had been concealed within the pie, protruding from his cheek. He reached for it, hands trembling, but he couldn’t quite seem to grasp it.

Road of the Patriarch, R. A. Salvatore

I AM KILLED

I MEAN WHO THE FUCK SAYS THIS

HE IS KILLED BY A DART. HIDDEN IN A PIE.
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Kim Harrison’s HOMOPHOBIC WITCH WALKING

Someone had the gall to recommend me Kim Harrison’s Dead Witch Walking as “urban fantasy that’s not like LKH’s crap, really it’s not!” because, knowing that I consider UF a boiling pot of undiluted excrement, she thought it’d change my mind. It didn’t. I’m just glad the author got no royalties from my purchase.

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meet Charlaine Harris: misogynist, racist, talentless

It’s always been obvious to me reading through some Sookie Stackhouse that Charlaine Harris is a giant misogynistic, racist, and possibly homophobic dipshit but man, in All Together Dead she goes for broke.
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Ellen Kushner is a talentless hack and SWORDSPOINT is undiluted tripe

I’m probably in the minority, but I couldn’t even bring myself to finish this piece of bore.

See, I really didn’t expect much of this book going in: serviceable prose, functional plot, shallow but fun characters with amusing banter–something on the same level as Lynch’s Gentleman Bastards novels, albeit with less flair and less wit. Hell, I kind of expected Swordspoint to be only slightly better than your average D&D-spinoff novel. Surely that’s not too demanding?

It manages to meet none of those expectations.
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