get your links here while they’re cold

A Stripper Reviews the Saints in Hitman: Absolution

So what did you think about the trailer overall?

I think it’s an excuse to show violence against women by making them the initiators of violence. It’s as if the makers of this video game are saying, “Hey, these women asked for it. It’s okay to kill them and beat them up because they’re the ‘dregs of society.’” It’s as if [the game is saying] they are subhuman and deserve to die. But that’s not who they are, it’s what they do for a living; stripping is a job, not an identity.

Someone is doing one of those chapter-chapter dissection of an Anita Blake book. Cool. No beef with that, these things are usually entertaining to read. Except–

Three: You are a bitch [Anita Blake]. And not the good, awesome, Sigorney Weaver kind of bitch, either. You are everything that people hate about women.

We call that internalized misogyny, friend, and I’m not talking about the internalized misogyny of Anita Blake the fictional character. She also complains that Anita dresses like a hooker and praises a different series for having its female protagonist be under some alpha asshole’s paternalistic protection and how that is awesome.

And then you have Bran, aka the Marrok, the Alpha of All Alphas in the United States. You do not fuck with Bran. Bran helped raise Mercy when Mercy’s mom realized she couldn’t handle having a coyote for a daughter. Adam is scary. Stefan is scarier. Mercy isn’t all that scary at all, but you don’t fuck with her because if you’re fucking with her, you’re fucking with Bran, and as I said, you don’t fuck with Bran.

Here is what I don’t get about ex-fans of the series: out of all the things to criticize about Anita Blake, they go after “she dresses like a hooker,” “she’s a Mary Sue” and “this is a fucked-up self-insert and let’s speculate about Laurell K Hamilton’s sex life” (yes, they’re coming this close to suggesting that she might have been raped). It is possible to say the writing is shit, Hamilton is racist, or that the books are chock-full of internalized misogyny… but no, “she dresses like a hooker” is what people decide is a valid concern. Really?

Caitlin Moran is shitty, as per usual, this time with a nice bit of “this is how easy you are to rape” rhetoric. Another Angry Woman righteously took her to task.

According to Moran, high heels function as some sort of rapist cowbell, advertising that there is a lone woman wandering abroad, ripe for the picking. I’ve never lain awake listening to the sound of heels and thinking about how easily I could rape that person, and I’m pretty sure vast swathes of the population share this nocturnal activity because we don’t believe the problem is what a woman wears.

Perhaps Caitlin Moran has been listening to some of the criticism levelled at her, though, by her attempt at a dimly intersectional analysis, over which the wail of a sad trombone sounds. Rape culture, unfortunately, will not be solved by Moran’s clever manifesto of All Women Shall Have Taxis. What if the taxi driver is a rapist? It’s not unheard of: recall, for example, the Black Cab Rapist who earned his moniker after raping women who had got into his taxi.

Dear Author is doing another round of hand-wringing over “mainstream respectability” for romance.

Because it’s not just about Romance as a genre. It’s also about (primarily) women writing about the inner lives of other women. It’s about validating books that take as their subject matter the emotional journey to love, even and especially when that love comes in a form that challenges the social status quo (e.g. m/m or f/f Romance). It’s about legitimating the domestic elements of fiction and appreciating the reality that for many people in the world, love was and is still a revolutionary concept (e.g.multiracial/multicultural Romance).

This is some manipulative rot. Imagine saying “SFF should be more respected mainstream because MINORITY AUTHORS WORK IN IT” when both you and I know that SFF is still dominated by straight white people. When you attempt to characterize a genre, any genre, as defined by minorities (when in actuality that genre is 98% majority and upholding the status quo) you are a lying shit and appropriating minorities to serve a majority concern because you want to pretend your favorite toy is a legitimate adult’s serious business. “I don’t read genre fiction because I enjoy stupid shit,” you crow. “Oh no, I read it because it’s progressive and full of minorities!” Please.

Oh, and what is that last line about how love is still a revolutionary concept for many people in the world followed by ”multiracial/multicultural”? Is that an “enlightened liberal” with a savior complex freak on? Can someone be so vapid as to believe anyone anywhere–and the phrasing suggests benighted thirdworlders–needs romance novels to teach them what’s love? (The targets she has in mind would probably be Indians and Middle Easterners, due to western perception of arranged marriage and Islam. There’s a specific racist dog whistle being blown.)

MLN Hanover/Daniel Abraham – UNREADABLE SPIRITS

Jayné Heller thinks of herself as a realist, until she discovers reality isn’t quite what she thought it was. When her uncle Eric is murdered, Jayné travels to Denver to settle his estate, only to learn that it’s all hers — and vaster than she ever imagined. And along with properties across the world and an inexhaustible fortune, Eric left her a legacy of a different kind: his unfinished business with a cabal of wizards known as the Invisible College.

Led by the ruthless Randolph Coin, the Invisible College harnesses demon spirits for their own ends of power and domination. Jayné finds it difficult to believe magic and demons can even exist, let alone be responsible for the death of her uncle. But Coin sees Eric’s heir as a threat to be eliminated by any means — magical or mundane — so Jayné had better start believing in something to save her own life.

Aided in her mission by a group of unlikely companions — Aubrey, Eric’s devastatingly attractive assistant; Ex, a former Jesuit with a lethal agenda; Midian, a two-hundred-year-old man who claims to be under a curse from Randolph Coin himself; and Chogyi Jake, a self-styled Buddhist with mystical abilities — Jayné finds that her new reality is not only unexpected, but often unexplainable. And if she hopes to survive, she’ll have to learn the new rules fast — or break them completely….

Oh fucking shit, even the synopsis is terrible. “A self-styled Buddhist with mystical abilities”? That giant human meat grinder is hungry for Daniel Abraham’s flesh.

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the white man is always afraid

Dear Author’s “First Page” thing is where people submit an excerpt of their unreadable tripe for the erudite readership of Dear Author to critique. This time, it’s so shitterously offensive that even Dear Author readers–normally not the most socially or politically aware lot–twigged onto the fact and went “oh hell no.”

The heat was a bitch, but it was at least natural.

Not like the animals who’d done this to an innocent child – and why? The story Kai had pieced together from the interpreter’s quick sentences was that she’d given directions to a stranger who’d stopped her while she was getting water from the village well. Since he wasn’t her father, brother, uncle, cousin, or husband, the village elders decided that she must be some kind of slut. So they’d punished her: first by a gang-rape, then by slicing off her ears, her nose, blinding her…if that hadn’t been enough, someone had laid a curse on her – Kai could feel it, simmering under her skin, keeping her alive despite her injuries. She’d lain in the dust of the village square until two slightly elder cousins had gotten up the courage to pull her into a donkey cart and drive the forty kilometers to the district hospital at Gereshk, where the MSF held an aid mission. While he wasn’t strictly a gynecologist, Kai was the closest they had, so he had been given the task of putting the shattered bits back together.

This, I’m guessing, is what the writer believes is normal in Afghanistan (and notice the donkey cart, because as you know, children, those “primitive animals” in Afghanistan don’t have automobiles–they have donkey carts!). But worry not, good readers. Kai, MSF doctor who clutches his pearls crucifix, isn’t white!

Kai is not white — he’s half Japanese and about a quarter elf/quarter “god”, though he’s in denial about the more supernatural parts of his heritage (which is why he’s super-Christian) and he’s not American. His passport is British, even though he’s not ethnically British. So he’s not going to be doing any “Whitey is Righty” restructuring of the Afghani scene. In fact, just a bit later, he commits his own atrocity in response to this.

Hear that? He’s quarter elf and quarter god. Every objection you might have with this shittery has now been rendered invalid, thank you very much. And… just what is “ethnically British” exactly?

Another commentator, Carolyn, has this wonderful tidbit to contribute:

Author, perhaps you should have had them throwing acid in the child’s face. That’s well documented. Perhaps you should have had them stone her. That’s documented too.

I agree about calling [Afghanis] animals. Animals don’t do things like that, but many middle eastern sects do, so animal is too good a name for them. It’s a tricky thing to write about: pc vs the ‘kill ‘em all’ crowd, you’ll never please them all.

I liked it, for what it’s worth.

In typical Dear Author moderation style, nobody’s stepped in and said this is not okay (and nobody paused and thought it might not be remotely fucking okay to give platform to a writing excerpt this heinously offensive). Carolyn, by the way, is this romance author. The next time you see the name C L McCullough, don’t forget to mentally append “unspeakably vile racist piece of shit” to it. That’s right, Ms McCullough, I just gave you free publicity. I bet this will be the most page views your blog and Amazon page have ever seen in a long, long time. You’re welcome, maggot.

Jayaprakash reviewed Dan Simmons’ Song of Kali, a book that–if possible–manages to be even more racist than Bacigalupi’s The Wind-Up Girl.

Simmons’ unpleasant narrator hates Calcutta; there are long descriptions of the filth and squalor of the city. There isn’t even a hint of compassion for the inhabitants to leaven it; every Indian character is either sinister, conniving, hypocritical or in some way less than human. The only Indian given any sort of a sympathetic portrayal is the narrator’s wife, who of course is safely tethered to a white penis and vents her own hatred of India frequently.

Gawker published a piece about child rape. Problem is… well, there are lots of problems with it.

A vague rape apologia runs through this piece–the implication of “men who have sex with children” as an oppressed group, the equation of pedophilia with other sexual orientations, and little to no consideration of victims. What bugs me is this is a topic that could use some mature journalism and thinking that goes beyond “hang them all.” (The talented Jennifer Gonnerman does it here.) But this isn’t it. It’s poor journalism, and an insensitive attempt at being edgy.

For more on the shitstorm resulting from Cord Jefferson, the “journalist” responsible, see this compilation of tweets. “Trying to find sympathy and new treatments for pedophiles” indeed. Appropriately, here’s some coverage about Ed Kramer, pedophile and founder of DragonCon. Yes, when you attend DragonCon, you’re funding his efforts to avoid being brought to trial.

Charles Stross is very concerned about the “anon whispering campaigns” out to “damage fandom.” You know, the terrible whispering campaigns (?) about Rene Walling, ReaderCon creep and serial sexual harasser, and those who viciously defend his right to be a creep forever unimpeded and unpunished. Something about witch hunts and how those are bad. Very bad. So, so bad. Banning and shunning a man with a track record of sexual harassment is a horrible witch hunt, you know? Interesting that Stross prioritizes “damage to fandom” over–you know–damage to women. Who have been sexually harassed. Peculiarly when K Tempest Bradford and Rachel Swirsky asks him to specify just which witch hunt he’s concerned about, he became oddly silent, probably because he can’t dismiss either woman out of hand as an “odious troll,” the definition of which seems to be “point out when Charles Stross is a shit.”

I got the initial link from Nick Mamatas’ LJ, by the way. To see more about the (still ongoing!) fuckwaddery, try these links. And read this one from Genevieve Valentine.

ADORKABLE – Sarra Manning is kind of racist

Jeane Smith is seventeen and has turned her self-styled dorkiness into an art form, a lifestyle choice and a profitable website and consultancy business. She writes a style column for a Japanese teen magazine and came number seven in The Guardian’s 30 People Under 30 Who Are Changing The World. And yet, in spite of the accolades, hundreds of Internet friendships and a cool boyfriend, she feels inexplicably lonely, a situation made infinitely worse when Michael Lee, the most mass-market, popular and predictably all-rounded boy at school tells Jeane of his suspicion that Jeane’s boyfriend is secretly seeing his girlfriend. Michael and Jeane have NOTHING in common – she is cool and individual; he is the golden boy in an Abercrombie & Fitch T-shirt. So why can’t she stop talking to him?

The first thing that struck out at me before I got to the racism is that this sounds insipid beyond all belief, because the summary makes this book sound like “the trials and tribulations of being a straight middle-class white girl who against all probability is making awesome money and famous at seventeen: let me tell you world how HARD it is to be her,” which you would have to be fairly vacuous to come up with for a start. The other is, well, Jeane sounds like a fucking weeaboo, doesn’t she? A Japanese teen magazine would take in a white girl to do their column why? Does Jeane even speak Japanese? Does Sarra Manning have a brain?

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FROM DEAD TO WORSE pt 4 – Charlaine Harris goes Gorean, the US is a disease

Icky, rapey situations follow after the cut. No, the text of course doesn’t question or challenge them in any way. What did you expect? This is Planet Gor. I must say, by the way, that whoever designed these covers must’ve really Not Given a Shit. Just look at them: not a single shit is given. Less tacky than these, sure, but damn that’s a lot of ketchup spillage.

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FROM DEAD TO WORSE pt 2 – Charlaine Harris a shitbag of bigotry

Spoilers: it’s still full of disgusting misogyny and racism. Hope you weren’t expecting anything else. Poor Johanna Parker, whoever she is: imagine having your voice associated with bigoted dreck. I find it telling that on this cover art they appear to have used a mannequin that’s made of some kind of fabric. Unintended implication: white people don’t look quite human.

Last time I forgot to include this little gem:

The chauffeur shook my hand gently, as if he didn’t want to break my bones, and then he nodded to Amelia. “Miss Amelia,” he said, and Amelia looked angry, as if she was going to tell him to cut the “Miss,” but then she reconsidered.

[...]

Tyrese Marley was a very, very light-skinned African-American. He was far from black; his skin was more the color of old ivory. His eyes were bright hazel. Though his hair was black, it wasn’t curly, and it had a red cast. Marley was a man you’d always look at twice.

We have a black character, and what is he? A white man’s chauffeur. He is a good-looking black man too, but a light-skinned one. “Red cast” on his straight hair. “Bright hazel” eyes. “Old ivory” is unhelpfully inexact, but aged ivory tends to be yellow. In short, the only way for a black man to be attractive to Sookie (and presumably to Charlaine Harris) is that he must be “far from black.” Marley takes care to be careful about shaking a white woman’s hand, “as if he didn’t want to break [her] bones.” A physically imposing black man who must take caution not to threaten a white woman. In the US south. Hmmmm.

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James White Award and Colum Paget – the unbearable whiteness of being

Flashback to Bacigalupi, who will forever be my favorite punching bag because he so perfectly encapsulates everything wrong about white people writing about my country (and about China, for that matter), which is to say: blisteringly, unforgivably, heinously racist. I’m in favor of having him quartered, by the way. Imagine! Being quartered by buffaloes. It’d be so authentic, don’t you think? Fitting as well, since we consider buffaloes especially stupid as animals go. The perfect analogy for white men.

Fast forward to more recently and let’s look at the 2011 James White Award shortlist. I have no idea how many of these authors are white, but I do know that out of six shortlisted stories there are two set in Thailand and China. You get one guess as to whether the stories were by Thai and Chinese authors respectively. (No.) Out of six nominees, at least four are white; the winner, Colum Paget, is a white man.

Sarah Stanton’s “Chrysanthemum” (haha oh the title). Now there’s not much to go on to be sure, because all that’s posted is a tiny little excerpt… but what is telling is that even this little excerpt packs enough offense in it to last a whole textbook on “yellow peril.”

In, out. In, out. Wa, ni tai hao le, you’re so good, you’re so big. Lift. Arch. Fall. Insert Coin.

That’s the first line. We have gratuitous Chinese. As far as I can tell, this is the perspective of some sort of sexbot. Why hello, Emiko the wind-up girl. We are sure trafficking in a lot of “Asian whore” stereotypes here, aren’t we?

Aren’t we.

Not so long ago, there were one hundred and nineteen men for every one hundred women in China; these days it is one woman to over one thousand and rising. The few women that remain become the wives of Party members, mistresses to the elite, absurd status symbols for those that can afford them.

Ahhhh. And now we come to the usual thing: the narrative in which futuristic THIRDWORLDIA OF SQUALOR AND POVERTY is always stuck in MORE SQUALOR AND POVERTY and HEY HOOKERS, HEY MISOGYNY.

Those things never happen in the west, d’you know. Ohhh, who wants to do the honors of pulling up human trafficking stats in the west? Who wanna? Sarah Stanton is, of course, an Aryan expat living in China and a professed Sinophile.

Now let’s take a look at Interzone editor Andy Cox’s comment on the other story.

Tori Truslow’s ‘Train in Vain’ is a compelling tale of exotic intrigue and intricate automata, told in breathlessly vivid and evocative prose.  There is no let up in narrative pace in this highly believable blend of fantasy and adventure.  There’s wit too, and a hint of darkness amid the exotic imagery.

In words so few, and already: “exotic” comes up twice. Andy Cox, I suspect, either loved or voted for the Hugo nomination of The Wind-Up Girl, which makes him worthless scum.

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FROM DEAD TO WORSE pt 1 – Charlaine Harris still disgusting racist

Let’s start off with this: while it’s possible to like things that are problematic, I genuinely don’t understand what there is to like about these books. Is it the shitty writing? Is it the misogyny? Is it the jingoism? Is it the rampant, raging, explicit and relentless racism?

I’m not talking about the show, which I understand is slightly less racist than the books. This isn’t some “reading too much into it” thing; this isn’t even social justice crusading stuff. The racism in these books is absolutely obvious, undeniable, and constant. There is nothing redeeming in these books. There’s nothing good about them. All they do is confirm that barely-literate fiction that affirms and endorses popular bigotries will enjoy great popularity and commercial success. Well done, America.

Trigger warning: rape and rape apologia.

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meet Eric Juneau, feminist warrior, rape apologist and thin sheets of women

TEN-HUT! ACHTUNG! WHIPS OUT! TODAY WE FLOG A NECKBEARD WITHOUT MERCY; BE RELENTLESS, FRIENDS

Who the fuck is Eric Juneau? Dunno. Edit: a rape apologist who thinks rape survivors are too loud and angry, among other things. Until two days ago I’d never heard of him. What’s drawn my interest is that he has thoughts on writing women (and thoughts on rape), which is kind of like having thoughts on yaoi but more offensive and tiresome. Many thoughts! Oh, so very many thoughts. He is a feminist, self-proclaimed and self-validated–never mind what any woman might say to the contrary. Did I say thoughts? No, what he wants to share with you, ignorant plebs, is his philosophy on writing women.

Most of it is kindergarten neckbeard blather about strong women and similar, drawing from Half-Life of all things, and while tedious, belaboring the obvious and useless–and chock-full of tiresome gamer-speak plus a smug conviction that he knows best–it’s not that offensive until you come to this gem:

I don’t want a character that’s defined by her presence, but by her motivations. She is a person first and a woman after that. A person with characteristics/traits that tend towards womanliness (is that a word?). I don’t characterize her by her body or her boyfriends or yogurt or being inept with technology or doing laundry things. I give her interests and traits universal to any person. Then I layer a thin sheet of woman on it — a little more emotional intensity, a little more nurturing, more connectivity with people. She’s not aggressive and violent, she’s not a linear thinker, not a constant crier, not so goal-focused (though goals are important and necessary, they are less tangible). A Barb Wire, high-heeled, cold warrior bitch is not a woman. It is a woman doing an impression of a man doing an impression of a woman. It’s a fantasy — unrealistic and implausible.

It’s amazing how much a man knows about being a woman, isn’t it? Isn’t “a thin sheet of woman” incredibly creepy and objectifying? Isn’t it presumptuous for him to be going around dictating what a woman is and what is not?

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