TRIPTYCH lolblog p. 1 – on singing kumbaya and time travel

Since I read most of my books electronically now I’ve developed a habit I’ve scientifically termed “highlight the fuck out of everything!” Normally these annotations amount to nothing: I only use a quote or two in the actual review. But by the time I was done with JM Frey’s Triptych I discovered I had made 179 annotations. In a book with 223 pages. That would mean only about 44 pages have no marks or notes that go along the line of “oh for fuck’s sake.”

Gentle readers, you will suffer as I have suffered.

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JM Frey’s TRIPTYCH – alas, friends, Ursula le Guin did it better

“You know…” she said slowly, and almost so softly that Evvie didn’t hear it.”You know those movies where the aliens come to Earth, and they… I dunno, they try to steal our natural resources, or create a nuclear winter so they can turn the Earth into slag, or they melt the polar ice caps and New York is under fathoms of water, or they clone us for slaves, or create terrifying bioweapons and wipe us all out and use our cities for farmland, or…all that stuff?” Gwen looked up. “It was nothing like that.”

Part District 9, part Lost in Translation, part Stranger in a Strange Land, Triptych is a poignant, character-driven science fiction story about tolerance, love and loss.

You know, if all I ever read of this book was the sample chapter, I would never have read any further. Why? Because the first chapter contains the kind of writing that I can only describe as buttock-clenchingly awful. It’s so embarrassing to read that your buttocks just go a-clenching and there’s no help for it. So by second chapter, you’d expect, you’d be getting constipation and that’s just not something you’d ever want to inflict on yourself, goodness no.

It gets better. But not by much. And I’d like to have said that this book has its heart in the right place–except its heart is of the “bleeding-heart liberal singing kumbaya” variety. What could possibly be more loathsome?

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Neil Gaiman: sorry unbro, it’s not me, it’s you

Ah, Neil Gaiman.

I started off with Sandman, like many others, and from there followed the trail to his works of prose. At first, I liked them well enough: my first was American Gods and, even though I thought the protagonist was a boring personality-void empty-brained bore, everything else in the book was kind of interesting.

Then I read Neverwhere, Stardust and Anansi Boys and a pattern emerged. It’s like having read one paranormal romance, or Forgotten Realms, or Star Wars too many. After a certain point it’s no longer fun and you ram up against the realization that they are all the same fucking story.
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Lynn Flewelling’s SHADOWY YAOI STEREOTYPES IN THE DARKNESS

I bought Flewelling’s Luck in the Shadows and Stalking Darkness, which came bundled together, in a used bookstore for what amounts to 7 USD at the exchange rate then. To this day I still feel that I paid 7 dollars too many.

TVTropes describes Nightrunner, in its “better than it sounds” page, as: “An angsty Bishounen with a Dark And Troubled Past rescues a cute boy from prison. They Fight Crime.”

It’s not better than it sounds. In fact, it is considerably worse.
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Anne Bishop’s RAPE JEWELS trilogy

I offer no excuses: this time I walked right into the trap. I started reading Anne Bishop’s The Black Jewels omnibus only because I was looking for something blazingly stupid to tear apart. It’s great fodder for conversation pieces with other book-geeks. Sort of like sharing horror stories. “Yes, Virginia, her two husbands really do have two dicks and a glowing dick respectively.” “Why, old chap, for sure she believes horror writers will burn in hell.” And so on. Sometimes it’ll get other readers curious and then they’ll obtain the book, hopefully through the library or a secondhand store, and then they too will be able to share in the joy. Then you’ll be able to rest in the knowledge that you’ve subjected another person to the same shit you forced yourself–masochistically–through, grinding your teeth all the while and gaping in disbelief. Admit it: it’s much funnier to talk about awful books than good ones.

I believe in starting strong. So imagine, if you will, beginning the conversation with this: “It’s got dragons and unicorns and they all love her, and then when the cock-ring becomes too much he bites someone’s clitoris off.

WARNING: GIANT RAPE AND PEDOPHILE TRIGGERS ALERT, ALERT RED ALERT RED

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Jasper Fforde and the Sexist Romance Tropes

I’ve just finished reading Jasper Fforde’s The Eyre Affair, and I’ve to say I’m disappointed.

The backcover of my copy reads: There is another 1985, where London’s criminal gangs have moved into the lucrative literary market, and Thursday Next is on the trail of the new crime wave’s Mr Big.

Acheron Hades has been kidnapping characters from works of fiction and holding them to ransom. Jane Eyre is gone. Missing.

Thursday sets out to find a way into the book to repair the damage. But solving crimes against literature isn’t easy when you also have to find time to halt the Crimean War, persuade the man you love to marry you, and figure out who really wrote Shakespeare’s plays.

It sounds like trite chick lit, but the book came highly recommended, so I thought the backcover — as most backcover blurbs do — oversimplified it. Unfortunately, for once it’s exactly what it sounds like. Of course Thursday solves crimes against literature; of course she halts the Crimean War, persuades the man she loves to marry her, and gets her time-traveling dad to find out who really wrote Shakespeare’s plays. Oh, and unmentioned in the blurb: she also improves the story and narrative of Jane Eyre.

Yes, really.
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Ian McDonald’s RIVER OF SUCK AND CULTURAL APPROPRIATION

So wtf was I missing in Ian McDonald’s River of Gods? I don’t think I’ve seen anything approaching a negative opinion of this novel, going by a quick look on google, except a few reviews on Amazon. Nearly everyone seems to agree that it’s literary or almost literary. Nearly everyone seems to think it paints an authentic portrait of India.

I don’t know about authentic portrait, never having been to India, but I thought the entire time that this is a novel written by a very British, very white, very male author. As for its literary value, I’ll let the scarf-up-the-ass sex scene speak for itself.

Marianna Fusco is professional and roused enough not to coo at the size of Vishram’s penthouse as they stumble through the door, quaking with lust. He just about remembers to undress the proper way, the gentleman’s way, from the bottom up; then she whips off her silk sarong and comes for him across the room, twisting the translucent fabric into a rope and tying it into a chain of large knots, like a thugee… He tries to push into her vagina, she rolls away saying no no no, I’m not letting that thing in there. She let him get three fingers in both orifices and blasphemes and thrashes on the mat by the foot of the bed. Then she helps him fold the silk scarf knot by careful knot up inside her and she straddles him… handing him until he comes and after he’s come she rolls onto her back and makes him wank her clitoris with the ball of his big toe and when she is swearing and beating her fists off the carpet she rolls into the yoga plough position and he wraps the free end of the scarf around his hand and slowly pulls it out, each knot accompanied by a blaspheme and a full-body thrash.

The novel’s crammed with hilariously written sex: everyone is an enthusiastic contortionist (“yoga plough” position while thrashing and having a scarf “lovingly pulled” out of your colon, hanging from your lover’s waist upside down and all) and everyone practices Tantric sex (including or even particularly the western characters. One character’s French boyfriend ties a string or a rubber band around his cock and shoves it up her vagina while chanting–apparently this keeps the thing erect for an entire hour or something). I mean, hell, some of them could have been interesting, but instead you have a nute–a non-gendered–who acts like a weepy uke: lower lip trembling at the slightest social embarrassment, physically fragile and effeminate. What the hell is up with that? Apparently, all the nutes in McDonald’s futuristic India are girly, work in the fashion/media industry, are walking fashion plates and are every single one unironically faaaabulous.
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Ellen Kushner is a talentless hack and SWORDSPOINT is undiluted tripe

I’m probably in the minority, but I couldn’t even bring myself to finish this piece of bore.

See, I really didn’t expect much of this book going in: serviceable prose, functional plot, shallow but fun characters with amusing banter–something on the same level as Lynch’s Gentleman Bastards novels, albeit with less flair and less wit. Hell, I kind of expected Swordspoint to be only slightly better than your average D&D-spinoff novel. Surely that’s not too demanding?

It manages to meet none of those expectations.
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SILVER PHOENIX quotespam: like herpes it keeps giving

Quotespam! Special edition; includes things I didn’t quote in my article at Ars Marginal. Yes, this is how much this book offends me and I want to share my misery. If I had to suffer through so much of it, then by god SO WILL EVERYONE ELSE.

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