SENSATION – Nick Mamatas

When Julia Hernandez leaves her husband, shoots a real estate developer, and then vanishes without a trace, she slips out of the world she knew and into the Simulacrum—a place where human history is both guided and thwarted by the conflict between a species of anarchist wasps and a collective of hyperintelligent spiders. When Julia’s ex-husband Raymond spots her in a grocery store he doesn’t usually patronize, he’s soon drawn into an underworld of radical political gestures where Julia is the new media sensation of both this world and the Simulacrum. Told ultimately from the collective point of view of another species, this allegorical novel plays with the elements of the Simulacrum apparent in real life—media reports, business speak, blog entries, text messages, psychological-evaluation forms, and the lies lovers tell one another—and poses a fascinating idea that displaces human beings from the center of the universe and makes them simply the pawns of two warring species.

Hmm.

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ADORKABLE – Sarra Manning is kind of racist

Jeane Smith is seventeen and has turned her self-styled dorkiness into an art form, a lifestyle choice and a profitable website and consultancy business. She writes a style column for a Japanese teen magazine and came number seven in The Guardian’s 30 People Under 30 Who Are Changing The World. And yet, in spite of the accolades, hundreds of Internet friendships and a cool boyfriend, she feels inexplicably lonely, a situation made infinitely worse when Michael Lee, the most mass-market, popular and predictably all-rounded boy at school tells Jeane of his suspicion that Jeane’s boyfriend is secretly seeing his girlfriend. Michael and Jeane have NOTHING in common – she is cool and individual; he is the golden boy in an Abercrombie & Fitch T-shirt. So why can’t she stop talking to him?

The first thing that struck out at me before I got to the racism is that this sounds insipid beyond all belief, because the summary makes this book sound like “the trials and tribulations of being a straight middle-class white girl who against all probability is making awesome money and famous at seventeen: let me tell you world how HARD it is to be her,” which you would have to be fairly vacuous to come up with for a start. The other is, well, Jeane sounds like a fucking weeaboo, doesn’t she? A Japanese teen magazine would take in a white girl to do their column why? Does Jeane even speak Japanese? Does Sarra Manning have a brain?

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EARTH LOGIC – Laurie Marks

Shaftal has a ruler again, a woman with enough power to heal the war-torn land and expel the invading Sainnites from Shaftal. Or it would have a ruler if the earth witch Karis G’deon consented to rule. Instead, she lives in obscurity with the fractious family of elemental talents who gathered around her in Fire Logic. She is waiting for some sign, but no one, least of all Karis herself, knows what it is.

Then the Sainnite garrison at Watford is attacked by a troop of zealots claiming to speak for the Lost G’deon, and a mysterious and deadly plague attacks the land, killing both Sainnites and Shaftali. Karis must act or watch her beloved country fall into famine and chaos. And when Karis acts, the very stones of the earth sit up and take notice.

Let me tell you the ways in which these books are awesome:

  1. They are homonormative.
  2. They are egalitarian.
  3. They do not automatically make women’s bodies sexual objects.
  4. They alerted me to the idea that a very large, very muscular woman can be searing hot.

I now want a woman I have to climb like a tree just to kiss. Oh my god. I’m not even tall, that should be doable.

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Laurie Marks – FIRE LOGIC

The earth witch who ruled Shaftal is dead, leaving no heir. Shaftal’s ruling house has been scattered by the invading Sainnites. The Shaftali have mobilized a guerrilla army against these marauders, but every year the cost of resistance grows, leaving Shaftal’s fate in the hands of three people: Emil, scholar and reluctant warrior; Zanja, the sole survivor of a slaughtered tribe; and Karis the metalsmith, a half-blood giant whose earth powers can heal, but only when she can muster the strength to hold off her addiction to a deadly drug.

Separately, all they can do is watch as Shaftal falls from prosperity into lawlessness and famine. But if they can find a way to work together, they just may change the course of history.

I put off reading this book for a long time. For, well, obvious reasons: the cover art, the summary, everything about this screams generic fantasy. But since being generic has never impeded the commercial success of a fantasy novel, I would like to demand: why isn’t this more widely read?

Because though the setting is generic, this is a book that’s packed with some very large ideas, and some of the very best execution of those ideas I’ve ever seen in the genre.

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THE FUTURE OF US is a “Like” sign slapping the face of humanity, forever

It’s 1996, and less than half of all American high school students have ever used the Internet.

Emma just got her first computer and an America Online CD-ROM.

Josh is her best friend. They power up and log on–and discover themselves on Facebook, fifteen years in the future.

Everybody wonders what their Destiny will be. Josh and Emma are about to find out.

I’ve read tie-ins. I’ve read the worst of what the SFF genre has to offer.

I have never read a single book more vacuous, more pointless and hackneyed than The Future of Us. This book is what happens when a pair of people who can’t write decide they can. This book is what people who have nothing of worth or merit in their skulls would produce under the misapprehension that they have something  faintly clever to say. Other books have been offensive; other books have been varying levels of terrible… but nothing beats the vapid, useless, pointless, talentless blackhole that is the combined force of Jay Asher and Carolyn Mackler. There isn’t a single solitary page in this novel that provides any value outside of being fuel, toilet paper, or wastebasket lining.

It’s a novel you can only write if you think there’s nothing outside of your white, straight, middle-class American world, your midlife crisis, and a nostalgia for your even more vapid white, straight, middle-class American teenage years. This novel is the essence of what makes Americans mockable. It’s the embodiment of utter mindlessness, a laser-point focus on shit that doesn’t matter, an ode to the glory of having no imagination stuffed with painful pop-culture references worthless to anybody with a real culture to appreciate. The fact that Amazon reports a sales rank of #3722 overall and #89 in “Teens > Science Fiction and Fantasy” at the time of this writing should tell you all you need to know about the great American reading public.

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Maureen F McHugh’s NEKROPOLIS – so close, yet so far

Fleeing an empty future in the Nekropolis, twenty-one-year-old Hariba has agreed to have herself “jessed,” the technobiological process that will render her subservient to whomever has purchased her service. Indentured in the house of a wealthy merchant, she encounters many wondrous things. Yet nothing there is as remarkable and disturbing to her as the harni, Akhmim. A perfect replica of a man, this intelligent, machine-bred creature unsettles Hariba with its beauty, its naive, inappropriate tenderness . . . and with prying, unanswerable questions, like “Why are you sad?” And slowly, revulsion metamorphoses into acceptance, and then into something much more. But these outlaw emotions defy the strict edicts of God and Man — feelings that must never be explored, since no master would tolerate them. And the “jessed” defy their master’s will at the risk of sickness, pain, imprisonment . . . and death.

This book made me annoyed (and I’m not talking about the ending, no). I imagine it would make someone who’s actually Moroccan outright angry, and I’m not sure how a Muslim would feel about it either. I have no authority on either front, but there are certain aspects about this book that I must side-eye the fuck out of. I’m talking, you see, about the magical near-future Spain that is 100% free of racism and anti-immigration sentiments.
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Lyda Morehouse’s ARCHANGEL PROTOCOL

First the LINK-an interactive, implanted computer-transformed society. Then came the angels-cybernetic manifestations that claimed to be working God’s will…

But former cop Deidre McMannus has had her LINK implant removed-for a crime she didn’t commit. And she has never believed in the angels.

All that will change when a man named Michael appears at her door.

This is a book I had some hope for. It falls neatly into the domain of “leather-clad chick fights and fucks supernatural shit,” a subgenre I’ve always had great contempt for due to its endless reiterations of the exact same chick (white, straight, American) fucking the exact same thing (werewolf, vampire, angel, fairy; sometimes a combination of all four) while going through the exact same plot (caught up in a great supernatural conflict). But Archangel Protocol differentiates itself by playing footsie with cyberpunk, setting up the tried and tiresome tropes in a futuristic America overrun by religious zealotry, Internet addiction and hackers. The protagonist, whose name I actually no longer remember because she’s very much like other such protagonists, is an ex-cop kicked off the force due to her role in testifying to the guilt of her partner, who shot the Pope stone dead. Amidst this is a socio-political climate controlled, or soon to be controlled, by a politician credited with bringing “angels” into the web: entities half digital, intensely supernatural, that can bring rapture and ecstasy.

Morehouse wastes all this potential within about the first five pages.
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ALTERED CARBON: neckbeard wish-fulfillment

In the twenty-fifth century, humankind has spread throughout the galaxy, monitored by the watchful eye of the U.N. While divisions in race, religion, and class still exist, advances in technology have redefined life itself. Now, assuming one can afford the expensive procedure, a person’s consciousness can be stored in a cortical stack at the base of the brain and easily downloaded into a new body (or “sleeve”) making death nothing more than a minor blip on a screen.

Ex-U.N. envoy Takeshi Kovacs has been killed before, but his last death was particularly painful. Dispatched one hundred eighty light-years from home, re-sleeved into a body in Bay City (formerly San Francisco, now with a rusted, dilapidated Golden Gate Bridge), Kovacs is thrown into the dark heart of a shady, far-reaching conspiracy that is vicious even by the standards of a society that treats “existence” as something that can be bought and sold. For Kovacs, the shell that blew a hole in his chest was only the beginning. . . .

Richard Morgan’s Altered Carbon was a buy motivated by hype, and as happens fairly often with those, it was absolutely disappointing. It’s a cyberpunk novel, with all the tropes and trappings you would expect from such a novel: AIs, human personalities being digitalized, questioning the concept of reality–the usual things that make sci-fi of a certain breed utterly identikit. I’ve this unfortunate soft spot for digitalized humans, though, which I like to blame on the Ghost in the Shell franchise.

The book is considered, by a certain breed of sci-fi fans–the breed, naturally, that tends toward the dudebro side of the spectrum consisting mainly of nerdy white boys who believe themselves brilliant–to be some sort of intellectual triumph. I consider it  one long parade of shit. Shit on a stick thrust into a mound of feces that seethes with maggots. I’ve never read anything this blatantly testosterone-charged, painfully pubescent, endlessly idiotic for quite a while, and I say that as someone who’s read an unfortunate quantity of shounen manga, those with ecchi tendencies even.
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THE AUTHORITY VOL. 1: Warren Ellis, Mark Millar

I’ve come to quite enjoy Warren Ellis. He’s not without his problems–he seems awfully fond of yellow menace figures and generally he’s a bit shite about Asians–but on the whole he’s more thoughtful and intelligent than some, even if admittedly many of his comics are quite similar. Planetary, Global Frequency and The Authority all share the same basic premise: that of a covert/open-secret organization that runs around saving the world. Often while being led by a woman. Oh Miranda Zero.

But, right, The Authority. 

TRIGGER WARNING: rape, child molestation, rape, rape, rape. 
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